Gordon Matta-Clark - Exhibition Description

splitting3

Gordon Matta-Clark, installation view.

Splitting

Upon his return from Italy, Matta-Clark was anxious to cut again an entire house and sought Holly Solomon aid regarding possible sources. Fortuitously, the Solomons had acquired property in New Jersey on which stood a house they planned to dismantle later that year. In the project that resulted, Matta-Clark made this undistinguished, anonymous, typical American house unique and forever memorable. This was achieved not by the use of any biographical, leftover articles of the inhabitans (he removed all the contents of the foremer tenants and put them in the basement), but by making two simple straight parallel cuts through the center of the building. From late March to June, he worked to make the cuts and remove the material between them. Having chiseled away foundation blocks in the process, he jacked up one-half of the house, cut the remaining blocks, and set down the rear half of the house, onto a slightly lowered foundation, creating a wedge shape that bisected the house. With porches on both front and back, this work took on a pure classical symmetry. He then cut out the four corners on the second floor which he preserved as fragment sculputure (Four Corners). Within the altered structure, the sense of light between cracks profoundly transformed the cramper interior spaces and continued the performancelike experience beyond the processs of cutting to that of the vistors. In this way Matta-Clark not only altered the notion of the stable middleclass American home as an immutable entity, but also broke or liberated the form of the house which had become subject to regularization and containerization that make such houses uniform and isolate indviduals in a kind of suburban alienation. Matta-Clark photographed these newly lit, sliced spaces to produce composite photopieces like Four Corners, as well as collaged works and a series of photocollages from which he made a related artistsí book of the same title. Arranged by the Holly Solomon Gallery, a bus-load of people came from SoHo for the inauguration of this piece in June; the house was demolished in August.

Mary Jane Jacobs